Frank Sinatra is once again announcing “it’s Bulova time.”
The famed late singer is the star of a new series of ten Bulova watches named after well-known Frank Sinatra songs. The brand’s new Frank Sinatra Collection is dedicated to Sinatra – who was known for wearing Bulova watches – and features watches with cases and dials inspired by designs from the 1950s and 1960s.
Sinatra connection
Bulova’s connection to Frank Sinatra began in the 1950s during The Frank Sinatra Show television program for which the brand was the sponsor.
A pioneering advertiser known for extensive early radio and television campaigns, Bulova has in recent years renewed its connection to the music industry with partnerships with the Recording Academy, the Latin Recording Academy as well as through initiatives like Tune of Time or with non-profit partner, Windows of Hip Hop. Bulova has also teamed with the GRAMMY Awards to create a series of watches. Frank Sinatra took home nine GRAMMY awards during his long career.
“Our commitment to music includes many talents, many genres, many voices. Who better than ‘The Voice’ himself, Frank Sinatra, to continue to showcase our dedication and appreciation for the art of music and its ability to transcend time,” says Jeffrey Cohen, President of Citizen Watch America, which includes Bulova within its corporate umbrella.
“No one respected time more than my father, he never liked to keep an audience waiting, adds Frank Sinatra’s daughter Tina Sinatra. “He often said, ‘If you’re not early, you’re late.’ Dad’s association with Bulova spans over six decades and we are proud to continue the relationship into the 21st Century.”
The watches
The new Bulova Frank Sinatra Collection includes manual-wind, automatic or quartz timepieces made in a square, rectangular, round and tonneau case shapes and named for some of the best-known Sinatra songs, including “My Way,” “The Best is Yet to Come” and “Fly Me to the Moon.”
The watches are cased in either stainless steel or gold-toned steel and are powered by a Sellita or Miyota automatic or manual-wind caliber, or by a Miyota quartz caliber. Many feature gold-toned hands and indexes and are offered in steel or leather straps. Prices range from $495 to $1,350.
In addition, Bulova pays tribute to Sinatra by placing an image of the singer’s Fedora hat on the crown and by imprinting song titles on the inside of the straps and on the caseback of each watch. Frank Sinatra’s signature is also seen on each dial.
The first series in Bulova’s Frank Sinatra Collection includes:
My Way is a tank-style stainless steel or gold-tone steel watch with a silvery white or black dial and a Miyota quartz movement. Prices: $495 and $525.
The Best is Yet To Come is an assortment of 40mm round case watches in either stainless steel or gold-toned steel with an exhibition caseback showcasing a manual-wind Sellita SW215 movement. Prices: $1,150 to $1,350.
Three pieces under the name Fly Me To The Moon feature 39mm round steel or gold-tone steel cases and powered by a Miyota Caliber 8215 automatic movement seen through an exhibition caseback. Prices: $750 to $825.
The Young At Heart includes a selection of timepieces in a gold-tone stainless steel tonneau-shaped case. One of the novelties is presented with a brown sunray brush dial inspired by Sinatra’s Whiskey partnership complete with a brown calf strap.
The other is seen with a silver white sunray dial with a black calf strap. A Miyota Caliber 8215 automatic movement powers both pieces. Price: $695.
Bulova will sell each watch with a package that mimics a vinyl album box set. It will also include lyrics from Sinatra songs and incorporate various vintage images.
The Frank Sinatra collection will be available later this year on Bulova.com and at other Bulova official retailers.
Travelling through Berlin’s fractured, graffitied and tattooed streets, it’s understandable that Nomos founder Roland Schwertner would have been drawn to the balance, symmetry and inherent calm of the Bauhaus style. It represented an escape from the chaotic environment that was Berlin from before the war to the fall of the wall– and to this day.
The net result of the confluence of Schwertner’s entrepreneurial spirit and a singular moment in history resulted in the formation of one of the most aesthetically pure and culturally reflective watch brands to emerge from Germany.
Schwertner, schooled in technology and photography, found himself, along with millions of other Germans, in a whirling vortex of opportunity with the opening of the Berlin Wall in November 1989, signaling the beginning of reunification of West and East Germany under the chant, “Tor auf!”
By the time reunification became official, on October 3, 1990, Schwertner had already made his move to establish a new German watch brand in Glashütte, Saxony, where the German watchmaking industry began.
Schwertner wanted to build clean watches, something new and not gaudy, like many of the 1980s watches, with a reference to draftsmanship. He and designer Susanne Güntherwent through catalogues of watches from Glashütte and found one that was made in 1920s, that was not ornate like most watches of that time,” says Thomas Höhnel, product designer for Nomos Glashütte, and the creative driver behind , the Ahoi, the breakout water resistant sports model that received the Good Design, iF and Goldene Unruh awards. “This exception watch he found was simple and provided inspiration for the first watch.”
Höhnel works at Berlinerblau, the Nomos design studio, located in Berlin in what would be considered the urban part of any city in the world. The Hipster meets Goth meets Businessman meets Mad Max forms the interwoven Kevlar of the human experience that mesh together and drive the pulse of the busy streets surrounding the studio.
Through a courtyard that could have easily been a darkened spy drop during the Cold War, up an industrial steel grey elevator and through imposing doors lies the Nomos cognitive center, the head, populated by a crew of engineers, designers and marketers who feed their ideas to the production facilities in Glashütte, the thundering hands of the company.
“The creative part of the company comes from Berlin, there’s a reason why it’s there,” observes Uwe Ahrendt, CEO of Nomos Glashütte. “The spirit of the place is important. Glashütte is a town of watchmakers, it’s historical, but the design sensibility has to come from Berlin.”
“Berlin experienced chaos and then came together again,” adds Höhnel. “It’s evident everywhere and has helped it to becomes a creative hub.” Höhnel conducted a thorough history of the company and its products from one of airy, white conference rooms at the Berlin studio.
Berlinerblau itself is a reflection of the clean symmetry of the company’s design aesthetic, from the Eames furniture to the neat placement of nuts and chocolates thoughtfully positioned on the conference tables. It’s a highly ordered and logical environment, a far cry from the tumult in the streets below.
It started with Tangente
Among the mood boards and many company artifacts dotting Berlinerblau is a group of hand drawn numeric fonts on paper that were utilized in the design of the first family of products, the Orion, Ludwig, Tetra and Tangente, released in 1991. The elegant, elongated font is ascribed to “Suzi,” scrawled on the bottom of the art, however that actual name is lost in history. To everyone working at Nomos today, it’s simply called “the font.”
The Tangente proved the star of the original lineup and is still the number one best-selling model, according to Florian M. Langenbucher, a multilingual watch industry professional and true gentleman who conducted our tour through Nomos’ many facilities.
The Tangente, held in mythic regard by the company, is the most emblematic watch of the entire 150-unit product line and has received multiple industry awards over the years, including the Chrono, iF and the highly coveted international Red Dot awards. Photos of the permutations of the model are everywhere, as are exploded diagrams of its guts, citations of its awards, advertising imagery and a library of articles detailing almost every aspect of its existence. Originally offered as a 39mm manual wound unisex watch with a Swiss movement, the line has expanded to twenty-one models, powered by in-house manual and automatic movements.
Höhnel gently caresses various models of the Tangente as he offers them, with gloved hands, for review.
“Notice how the slim Tangent is raised above the wrist on its lugs,” he observes, “this makes even the smaller models seem bigger.”
For Nomos, the Tangente is a challenging canvas for their creative output, as variation in the theme is restrained by Schwertner’s mandate to not violate the original elemental aspects of the dial and case.
The addition of the crown guards, found on the new Sport Neomatik 42 ($4,980), or the external date ring on the Neomatik 41 update Ruthenium ($4,100), which won the Grand Prix d’Horlogerie de Genève (GPHG) Challenge Prize, required months of design deliberations and hand wringing before they were green-lighted for production.
“The development process on movements and cases can take up to two years,” says Höhnel. “Every model is reflective of the sensibilities of our audience. We must know how the end user thinks, what they like in design, in architecture, in cars, how they will interact with and use the watch. Sometimes we bring in outside designers, like Mark Braun who worked on the Metro Date Power Reserve ($3,780) a fantastic model with a unique power reserve indicator, to bring a new feel to the line. We work with all kinds of materials and colors just to get to a 3D- printed version that enables our team to interact with the product. Sometimes you just have to put a project down and let it sit for awhile.”
Outside parties involved in the process include the case makers, hand makers and strap makers, with a supply chain that stretches all the way to the United States.
And then there was Glashütte
Two hours south of Berlin, near the famous city of Dresden, lies the small town of Glashütte, population 7,000, located in a valley that is home to more than ten watchmakers and manufacturers. It is here that the Nomos production facilities turn the ideas of the Berlin studio into a tangible product.
The pioneering work of Ferdinand Adolph Lange (of A. Lange and Söhne) established the area as a source of German watches, an alternative to importing Swiss products, while leveraging the local workforce. His work served to germinate a generation of watchmakers and parts suppliers that would ultimately work with other famous brands from the region including Tutima and Muhle-Glashütte.
Wartime production of aviation watches and timing devices to support the Axis military earned the region a target designation in WWII, and Allied bombers destroyed many of the factories and railways. After the war Germany was divided and Glashütte was now located in Soviet East Germany: the German Democratic Republic (GDR).
The Soviets seized the machinery as part of war reparations and began converting production to timekeeping pieces for Soviet consumption. In 1951, pre-war era private enterprises were outlawed and all commercial assets and intellectual property were combined to form the state-controlled Glashütte Uhrenbetrieb (GUB). The fall of the wall passed control of the GUB to the newly forming German Republic, and created opportunities for the legacy companies– and entrepreneurs like Schwertner.
Forming Nomos
For a German watch company, association with the name Glashütte represents an elite status. To receive the designation “Made in Glashütte/Sa,” more than fifty percent of the watches’ value has to be created on location. Protection of this identifying mark is strictly enforced by the manufacturers in the region, who have sought legal channels in the past against transgressors who have falsely identified the origin in their products, in the same manner that champagne producers guard the use of their region’s output to products made specifically in the Champagne region of France.
By locating production in Glashütte and design in Berlin, Schwertner successfully capitalized on two of the country’s hallmark regions.
Schwertner acquired the rights to several now defunct German companies, one of which was Nomos-Uhr-Gesellschaft, Guido Müller & Co. This company was in operation between 1906-1910 and was put out of business by other Glashütte companies for misleading advertising that indicated that it was producing authentic, assembled-in-Glashütte products.
Ironically Schwertner’s Nomos would later sue watch manufacturer Mühle, in 2007, for the same violation, driving Mühle into Chapter 11 insolvency. Mühle Glashütte returned to regular production in 2008, after agreeing to ensure that their production process added at least fifty percent of the value of the watch in Glashütte.
The Glashütte Name
“America represents our most important growth area, followed by the U.K. and Asia. The strength of the Glashütte name, the power of our brand and the quality we deliver for the money will help us become top brands in those areas,” said Ahrendt, from his stunning glass- walled office located in the town’s converted train station with direct views of competitors A. Lange & Söhne and Glashütte Original.
Ahrendt arrived in a vintage pastel blue Mercedes and is himself a reflective embodiment of the brand. He carries the Berliner sense of style on the frame of a Saxon boxer, a hybridization of the intersection of the two regions.
“Our move to in-house movements represents two things: our liberation from suppliers and a demonstration of our innovation,” adds Ahrendt.
“We produce all our own calibers, including the Alpha, our original hand-wound movement, and six others, and our award-winning automatics. They are all sleek, highly crafted movements that represent the highest standards of engineering.”
The Nomos production facilities are spread across several buildings in Glashütte and house technologies and capabilities equal to most tier-one manufacturers. Nomos worked with the Technical University of Dresden and invested 12 million Euros to develop its escapement and swing system, critical core elements of any watch movement, released in 2014. This move freed Nomos from relying on external suppliers, such as the monolithic Swatch Group, for this important element.
The spotless facilities employ hundreds of skilled personnel who are involved with all aspects of the watchmaking processes. CNC machining equipment turns out base plates, which join over over 150 smaller parts made of brass, steel and other materials that are manufactured, ground, polished and finally assembled to pump out the region’s highest volume of products.
In 2015 Nomos released its 3.2 mm height DUW (Deutsche Uhrenwerke) 3001 Neomatik caliber automatic movement, an ultra-slim creation loyal to the brand’s style aesthetic.
This movement became the seed from which the entire automatic line grew, and the basis for the highly impressive DUW 5201, found in the Tangomat GMT ($4,920) and Zurich World Time ($6,100) models. Nomos’ current in-house produced calibers include the manual-wound Alpha, found in the original Tangente, and the DUW 1001, DUW 2002, DUW 4101, DUW 4301, and DUW 4401. Automatic movements include the DUW 3001, DUW 5001, DOW 5101, DUW 5201, DUW 6101 Epsilon and Zeta.Collectively this impressive list of movements power thirteen families of watches and 150 models.
Price is one of the key differentiators of the Nomos brand, and something that’s repeatedly referred to by company representatives at every level. There is no one involved with the company that isn’t aware of the high level of quality and craftsmanship being delivered.
“Unlike most companies, when we produce a limited edition model we actually offer them at a lower price, like our ‘Century of Bauhaus’ Tangente commemorative model,” says Langenbucher.
“This market ethos also carries throughout the entire brand line. Look at the Metro Rose Gold 33, for $7,200 or the Tangente Neomatik 41 with a rare Ruthenium dial for $4,100. These are incredible products for the money,” he adds.
Speaking of money, when asked why Nomos continues to remain independent in spite of numerous offers from other companies, Ahrendt has a thoughtful response.
“We produce a watch called the Lambda Rose Gold, reference 930. It’s a fine, elegant men’s gold watch and if you look carefully at the balance cock you will see the words inscribed by hand, ‘lovingly produced in Glashütte.’ We put that there because it’s fun to do so. To answer the question, we won’t sell because we, and all the families that work with us, are just having too much fun.”
And where will the company be in five years?
“Sharing our vision of quality and fun in many more markets internationally,” he adds. And if the meteoric rise of Nomos over the past twenty-nine years is any indication of future growth, this company may one day become a household name like other well-known and loved international brands.
This article originally appeared in the Fall 2019 issue of International Watch.
As Zenith prepared for last year’s fiftieth anniversary celebration of El Primero, its premier automatic chronograph, the Le Locle watchmaker sifted again through the cache of tools and prototypes slated for destruction in 1975, but preserved at the time by the forward-thinking Charles Vermot.
There, amid piles of boxes, Zenith found another version of its now well-known Chronomaster tri-color dial. But instead of the grey, black and blue subdials, the discovered prototype featured three different shades of blue.
And while Zenith says it has no records of these blue tri-color dials, the watchmaker has determined that they were part of the original prototype dials for the El Primero A386 in 1969 featuring a 38mm steel case.
New and Blue
This past week Zenith debuted the Chronomaster Revival Manufacture Edition, a production model Chronomaster cased in the El Primero A386 steel case and using the all-blue-subdial design on its dial. Of course, inside Zenith is placing its El Primero high-frequency automatic chronograph with column wheel.
Echoing earlier Revival models, Zenith is reproducing the recently discovered dial within the 38mm case (with pump-style pushers) paying close attention to the blueprints of the original. These Revival models will be cased in steel rather than in gold however, making them more affordable than the A386 Revival editions from 2019.
Zenith adds that this release will be the final Revival model to feature the A386 case style and size.
The watchmaker will make the new Chronomaster Revival Manufacture Edition available for six months only on its pending e-commerce site (slated to open June 30) and then only at its Le Locle manufacturing facility after it reopens to the public for visits.
Zenith is producing special packaging for the watch. It will look like a book, and on its cover you’ll see a blueprint of the Zenith manufacture. Inside, Zenith adds a comic book about Charles Vermot. Price: $8,700
Movement: Zenith El Primero 400 Automatic, 36,000 vph frequency, 50-hour power reserve.
Dial: White-lacquered dial with three shades of blue counters. Hours and minutes in the center, small seconds at nine o’clock. Chronograph: central chronograph hand, 12-hour counter at six o’clock, 30-minute counter at three o’clock. Tachymetric scale. Date indication at 4:30. Rhodium-plated hour markers, faceted and coated with SuperLuminova. Hands are white, faceted and coated with Super Luminova.
Case: 38mm steel
Bracelet & buckle: Blue alligator leather strap with protective rubber lining. Stainless steel pin buckle.
Chrono24 is a marketplace for luxury watches that offers buyers and sellers the opportunity to buy, and sell, pre-owned, vintage, and new luxury watches.
As iW recently discovered in an interview with Chrono 24 CEO Tim Stracke, Chrono24 does not consider itself strictly as a watch dealer, but instead call itself “a marketplace that provides a service with the technology to connect buyers and sellers, to provide transparency to the market and to make transactions safe through the platform.” Below we excerpt the highlights of our interview.
iW: How long has Chrono24 been in existence?
Tim Stracke: The website was established in 2003, and my partners and I took over the site in 2010. We were able to turn it into a real business at a time when online business was starting to evolve. Today, we have close to 300 employees as our headquarters in Karlsruhe, Germany, and we also have satellite offices in Berlin, Hong Kong, and New York that run Chrono24 as a global business. However, besides operating this company together, we are also very enthusiastic about watches.
The vast majority of our employees owns at least one watch that means a lot to them – altogether, we have quite a versatile watch collection. Through this, we probably reach one out of every three luxury watch lovers worldwide (including 9 million unique viewers every month), providing them access to more than 470,000 watch listings from over 100 countries.
When you took it over in 2010 – what changed?
For the first seven years, Chrono24 was pretty much a classifieds site where you could find watches and contact the seller, leaving the transaction entirely between buyer and seller. We converted this into a transactional marketplace, investing a massive amount of energy into make the transaction process secure. Now, the buyer transfers payment to our escrow account, and we make sure that the buyer is happy before forwarding payout to the seller.
We also offer a lot of additional services around the purchasing process. We have a magazine, as well as a lot of data you can use to easily compare prices. One of our more interesting features is the Chrono24 Watch Collection, which enables users to upload their watches and track their watch portfolio like they would their stocks.
In addition to this, we recently added two new functions to our app: The first is our Virtual Showroom, an AR tool that allows you to try on 12 very popular models virtually. These include the Rolex Submariner Date, Omega Speedmaster Professional, Patek Philippe Nautilus, and Audemars Piguet Royal Oak.
Our latest addition is called the Watch Scanner, where you can simply scan any watch with your camera to automatically identify it. From there, you can add it to your Watch Collection or even create a listing.
We extrapolate the data from the tens of thousands of transactions made on our platform every per month to establish a fairly accurate range of values. For this calculation, we include actual sales prices from past sales, as well as current listing prices on Chrono24. If we don’t have enough data to make a valid estimation – for example, for rather rare reference numbers – we also include listing prices from the past. This calculation is refreshed daily and provides a representation of a watch’s performance over time.
Also, our algorithm ignores any extraordinarily high or low sales prices to avoid inaccurate estimated values. An added value for the user here is that if they’re worried about paying too much for a watch, they can follow it in a separate section of their Watch Collection and immediately see its current and historic value to help make the decision as to which watch to buy even easier. Plus, once they’ve made the purchase, they can add it to their own digital collection to monitor its financial performance over time. We’ve done this with some of our employee’s watches. It’s fun to use.
Is the condition very important?
Of course condition matters, but with watches, it is more about the rarity than the condition in many cases. This is especially true when it comes to limited editions like the Omega Speedy Tuesdays and rare vintage models; it’s quite fascinating how these timepiece perform over time.
You also provide a Watch Scanner tool in your app. How does it work?
It’s actually pretty easy to use: Once you’ve launched the Watch Scanner tool in the Chrono24 app, simply take a picture of the watch you want to identify. The tool compares the photo with a database of around 15,000 watches and almost 2 million images from more than 6.5 million previous and current listings on Chrono24.
Based on this data, the tool can recognize the model and provides the user with other information like the reference number and its estimated market value according to the Chrono24 Watch Collection.
So far, the tool is able to identify around 15,000 different watch models, which is a lot. But that’s just a small percentage of all existing luxury watches out there. However, since it is based on a learning artificial intelligence program, the Watch Scanner is constantly evolving. We will soon be releasing an improved version that will include a feedback function and be able to identify more models. So far, the tool has been used more than a million times – and it’s only four months old.
Do you envision a physical location (permanent or pop-up) as part of the Chrono24 formula?
Looking back ten years ago, I never could have imagined that Chrono24 would be as big or as relevant as it is today. We acquired one of our retail partners about a year ago. We did this mainly to learn what life is like on the other side of the “screen,” so to speak. We also see the potential for other services. We have partnered with Fratello Watches, and we now sell limited editions through Fratello.
As of today, we are not looking for retail locations; instead, we count on our partners and look to help them sell online. That said, we are an agile business, so it’s hard to predict the future.
What are the strongest markets for Chrono24?
Historically, Germany was our strongest market, but this was obviously due to the fact that that is where Chrono24 started. Today, Chrono24 is a global entity, with the United States and Europe leading the way, followed by Asia, which is growing very fast. That being said, the United States is one of our top-three markets in many aspects, including sales and visits. We are very proud that we have around 900,000 unique visitors from the United States every month and that there are more than 120,000 American user accounts on Chrono24.
Does Chrono24 sell more new or used watches?
It’s about two-thirds pre-owned – or “pre-loved,” as we like to call it – and one-third new watches.
Is Chrono24 a tool to help dealers move aging inventory?
We work with close to 3,500 dealers worldwide and dedicate entire teams to these strong and important partners. While many of our partners have existing storefronts, Chrono24 is becoming a more relevant part of their business, and some of our partners actually sell exclusively through Chrono24. Most dealers offer all of their inventory on Chrono24, and not only aging pieces.
What trends do you see in the U.S.?
Overall, we see a polarization of price points. The very high end remains strong –especially among well-known and recognized brands like Rolex, Omega, and AP – while the lower end of luxury watches (let’s say under $1,000) is not as strong as it could be. Also, our American users mostly buy from sellers that are also based in the United States – more than sixty percent of all U.S. sales are domestic. Surely one of the reasons for this is the high number of American dealers on our marketplace.
Globally, it’s a different picture: Approximately seventy percent of sales on Chrono24 are made across international borders.
What about smartwatches on Chrono24?
Based on what we are seeing, smartwatches are acting like a gateway into more traditional mechanical watches. That said, not many people are searching for Apple watches on Chrono24. It seems our customers are searching for something special, and when they want to buy a smartwatch, they go elsewhere to do their research and make purchases.
How has buying a luxury watch online evolved over the last decade or so?
I remember before Chrono24 started I would spend hours and hours researching watches online and feeling like the platforms at the time made had more of a flea market atmosphere. You would have to search site after site and numerous retailers. If each site had a few hundred options, you might have to search for a long time to find the watch you really wanted to have.
You also needed to have a lot of confidence that the individual or company that you were buying from was legitimate. We are now in a situation where we can provide global transparency, a huge selection, and create a platform that makes for secure and comfortable purchases.
How safe is it to buy a watch from Chron24 with regard to authenticity?
Authenticity is our number one priority, as is the safety and security of the entire transaction from placing to order to when it’s on your wrist. First of all, our global sales team verifies and vets every dealer before we let them on the platform – and not everyone meets our high standards.
Second, we created Trusted Checkout, a free escrow service. Once you’ve found your dream watch on Chrono24 and have come to an agreement with the dealer, you transfer the amount due to an escrow account. We only release the funds to the seller once you have received the watch and are happy to keep it.
If there are issues, our multi-lingual support team is there to help buyers and sellers and guarantee a smooth transaction. Should conflicts arise, we even have a mediation team to guide buyers and sellers toward a mutually satisfactory solution. At this time, we don’t perform physical checks of the watches; instead, we offer a no-questions-asked return policy as part of Trusted Checkout to safeguard ultimate safety for the transaction.
Do you consider Chrono24 a disruptor in the industry?
This is our role: changing the industry, changing the way people purchase watches, especially pre-owned and vintage watches. Considering our global transparency, huge inventory, and market data paired with the low cost for the service of selling a watch, I would say we are creating a new and possibly disruptive platform for buying and selling watches. Several years ago, industry leaders wouldn’t even talk to us, but this has quickly changed as they have seen the service we provide – and probably also the passion for luxury watches we share.
At Watches & Wonders 2020 Baume & Mercier added four Clifton watches with the impressive Baumatic automatic movement, which boasts a five-day power reserve, high efficiency escapement and silicon hairspring. These new models include watches that boast a perpetual calendar, a day-date model with moonphase, a date model with moonphase and a beautiful 39mm COSC-certified date and time-only watch.
And while all deliver the Baumatic movement within a nicely polished and satin-finished steel or rose gold case, we were particularly taken with the high value offered by the Clifton Baumatic Day/Date Moonphase, a 42mm watch that effortlessly combines all the indicators I need in any non-chronograph watch onto a particularly eye-catching gradient lacquered grey dial.
The days at the top of the dial are clearly marked with minimal fuss while the accompanying date makes perfect sense just across the dial. With an easy symmetry, the day and the date are each indicated by a hand of the same shape and color.
Likewise the trapezoid-shaped hour markers perfectly echo the long, alpha-type hands, and both of these indicators are colored to match your choice of pink gold or steel case.
A secondary dial highlight, after the perfectly gradient dial work, is the dual-moonphase display that Baume & Mercier touches up with a somewhat hidden persuader: a grey sapphire wave-shaped aperture that allows the moon to shine according to schedule as the disc rotates.
This grey-tinted sapphire is a defining feature on both the pink gold and steel models, blending seamlessly with the gradation of the dial.
These dial details speak volumes about how Baume & Mercier continues to design thoughtfully considered classic dress watches at a level higher than their selling price might indicate.
Long Power Reserve
Since Baume & Mercier knows that keeping all these indicators on time means keeping the mainspring wound and ticking, the Geneva manufacture supplies the watch (and the entire series of watches) with the aforementioned Baumatic movement built with a helpful five-day power reserve.
And to add another layer of luxury to this affordably priced watch (in steel, it is priced at $4,400), Baume & Mercier nicely decorates the in-house movement with a gilded, open-worked oscillating weight finished with Côtes de Genève and snailing. (Baume & Mercier indicates that the back can also be engraved by special order.)
The entire package, particularly in its steel case, emphasizes Baume & Mercier’s long-time strength as a legacy brand that maintains a high-value collection of Swiss- manufactured watches. Prices: $12,200 (pink gold case) and $4,400 (steel case). Both watches are slated to be delivered in October.
Movement: In-house self-winding Baumatic BM14 1975 AC2. Bridge with circular-grained décor, sandblasted plate with snailed décor, gilt open-worked oscillating weight adorned with “Côtes de Genève” and snailed decors, Baume & Mercier engravings, power reserve of 5 days (120 hours), Frequency of 28,800 vph.
Case: 42mm by 12.95 polished and satin-finished pink gold with antiglare and scratch-resistant domed sapphire crystal, polished 18-karat pink gold crown, open caseback secured with 4 screws
Dial: H/M/S, date-day and moonphase indication. Gradient grey lacquered, gilt riveted trapezoid-shaped indexes, slightly elongated gilt ‘alpha’ hands, grey transparent sapphire aperture at 6 o’clock, polished gilt moon-phase disc with blue lacquered finish
Strap: Interchangeable blue alligator with tone-on-tone stitching on the top and burgundy color on the bottom and bridle points at the buckle; system of curved bars with lug that allows strap change without tools. Polished and satin-finished 18-karat pink gold pin buckle.
Movement: In-house self-winding Baumatic BM14 1975 AC2. Bridge with circular- grained décor, sandblasted plate with snailed décor, gilt open-worked oscillating weight adorned with “Côtes de Genève” and snailed decors, Baume & Mercier engravings, power reserve of 5 days (120 hours), Frequency of 28,800 vph.
Case: 42mm by 13.2mm polished and satin-finished stainless steel, antiglare scratch-resistant domed sapphire crystal, open caseback secured with 4 screws
Dial: H/M/S, day-date, moon-phase indications. Dial is gradient grey lacquered, rhodium-plated riveted trapezoid-shaped slightly elongated indexes, rhodium-plated ‘alpha’ hands, grey transparent sapphire aperture at 6 o’clock, polished rhodium-plated moon-phase disc with blue lacquered finish
Strap: Interchangeable blue alligator with tone-on-tone stitching on the top and burgundy color on the bottom and bridle points at the buckle; system of curved bars with lug that allows strap change without tools; triple folding buckle with security push-pieces